But the maple MSA was the mechanical DEAL. Interesting thing is IMO the plywood Classic had a little more presence in the tone than the maple Classic, & I have old Wright Bros. Bought the maple Classic straight from Reece/Jerry, mid '70's. On to 2 MSA's one Classic plywood, then to the maple bodied Classic. Started with the little Sho-Bud single neck with the vol/tone knobs, coil switch. Thank you for your kind comment!Ī slight career change took me out of having a steel for now, but I had to get in on this as I owned all three in the '70's, owning the Emmons the longest. Paul A……Its always great to see a lurker “uncloak” themselves. I might also consider being present for the evaluation, if I am.dinners on me. You may be the first to successfully prove an inherent tone exists, and if so I will be the first to congratulate you.
I respectfully ask if you would be willing to do so? The details as to where and when an evaluation could take place and the results would be of interest to many on this forum and elsewhere. If you chose not to discuss our opposing views, one would think you would be anxious and acceptable to the idea of accepting the opportunity to take the comparison evaluation yourself. If I understand you correctly, it appears our differences about consistent and inherent tone are:…… you are basing your position on your opinion and that of others, that consistent inherent tone exists within a specific brand of guitar, and I am sharing my comments on comparison evaluations conducted over decades, which is not only true, but verifiable. I would like to believe you would be agreeable to changing your trend by responding to my comments as I have done for you. There is nothing unusual about opposing opinions, but when that occurs there is usually conversation between the two. If you would, please tell me what I said that does not make sence to you, and I’ll do my best to explain more clearly.Īfter looking over your posts in this thread, it appears my comments have opposed your opinion.
Kevin H….I of course don’t know anything about what Bruce Zumsteg considers as a benchmark, but I do know he has every right to be proud of his achievements, not only as a steel guitar builder, but as a steel guitar player as well.
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